And let’s face it… your fans want as much from you as they can get. The more you do it, the most traction it’s going to get. The same theory applies to putting out music. Want to improve your vocals? Sing every day. Want to get better at production? Practice every day. oh and its all exclusive.By Randi Zimmerman from the Symphonic Blog Increased EngagementĬonsistency is good for engagement on any platform, no matter what you’re into. And other times becuase the big label takes all publishing so the small label needs something for all the trouble.
#UNIVERSAL PRODUCTION MUSIC LABELS HOW TO#
Cuz again, they trust that a person that has a track record on hiphop will know how to run the label and know whats good hiphop music and thier roster of artists will be equal in quality.Īnd sometimes you have to share writers share because of this. So i had several CCs in the email with bmg and this person to deal with contracts etc once I sent the tracks stems.Īlso the labels specialize on styles of music. And the name of the person was the name of the label. I did a placement a long time a go with a random label who submitted to bmg.
#UNIVERSAL PRODUCTION MUSIC LABELS TV#
That composers are not just ripping off a hans zimmer track melody and chord progression where someone at Sony/bmg/warner etc are not going to tell because they are not music producers etc THey are managers and sales etc dealing with contracts, file management, accounts on tv shows etc. They trust that the label knows how to produce their composers so they make good tracks and these labels can have a good track record of placements where BMG, APM etc know that they know whats good music, and not random bedroom producer with a nice website. They dont have to deal with random composers and music production. They get a big enough catalog that they can give to the bigger guys. The 3rd party lables act more like gatekeepers. Again, no expert, just observed the label pulling and figure some folks could be interested. I'm not an expert over there, but Chappell, Atmosphere, Bruton and Killer Tracks for example seem to be examples of labels directly by Universal and thus unlikely to be pulled. Important to note that there are labels directly by Universal and 'guest'/sub-published labels. Universal certainly isn't the only big publisher but certainly very high at the top, so it will be hard to tell if the labels can make it into similarly classed alternatives.įor now I personally don't consider Universal sub-publishing a good reason anymore to consider working for a label. I hope the producers of the dropped labels inform their composers, but you never know. I'm sure some people take the sub-publishing at Universal into great consideration when working for a label. I'm sure it happens regularly that some labels get removed from sub-publishers or leave on their own but besides some drama at BMG I never noticed so many being removed, especially not at Universal. I'm following production-music and Universal in particular since quite a while (actually since over 10 years) and it seems unusual for so many labels to be dropped in a fairly short time. Including A-List, Nuvotone, Score Addiction, Atomic Overture, X-Ray Dog and GUM. I noticed a fairly large chunk of labels at Universal Productionmusic being pulled lately. Just an information that could be relevant for some folks.
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